Friday, May 29, 2015

For Review: Attachments ~ Rainbow Rowell

I've been using Instagram for a while now and, mostly, I'm in love with all the book porn there. There are so many gorgeous photographs of all sorts of books. What I've noticed recently is that there's a definite indication of what's hot right now in the reading world – suddenly hundreds, or even thousands, of photos pop up of a particular title, and all the comments are about people desperately wanting to read something. It was the bookstagram community, therefore, that reminded me that I've had Attachments on my To Be Read list for a long, long time.

What drew me to Attachments was the turn of the millennium use of technology; the internet is still a new and exciting thing, and email suddenly makes communication so much easier. With the fear of threats to computer security rapidly increasing with the approach of the new year, Lincoln is employed by a newspaper to make sure that IT runs smoothly, and that the employees aren't misusing their email. Through a web filter, Lincoln is alerted to the email exchanges between Jennifer and Beth, two young women who share details about their private lives and, more importantly, their love lives, using their work email addresses. Lincoln is supposed to caution the women for their use of their work addresses, but he becomes so engrossed that he decides not to warn them. Instead, he continues to find out more about their lives.

Jennifer is a married woman who definitely doesn't want children although her husband desperately wants some, and Beth is an unmarried woman who really wants to be married, but she is increasingly unhappy in her relationship. Their stories are told through their email exchange, and their witty, amusing, and sometimes very heartfelt, conversations are thoroughly enjoyable to read – no wonder Lincoln can't keep away. But his obsession with them grows to the point where he is worried he might bump into them in person, and he worries about what they might think. Especially where Beth is concerned. Soon enough Lincoln begins to fall in love with Beth, and reading her emails becomes much more than just some light entertainment.

Lincoln's story is told through more traditional third person narration, and he is instantly loveable. Following a bad break up years before, Lincoln has moved back home to live with his mother. His sister Eve keeps telling him he needs to get a life, and even his D&D-playing friends insist that he needs to move out and find a girlfriend. Stuck in a rut and stuck in the memories of his past girlfriend, Lincoln isn't sure he's ever going to do anything useful with his life. Until he 'meets' Beth, and his life takes on much more purpose, and he becomes much happier.

Attachments is a quirky and endearing romance novel. It doesn't take long to be utterly caught up in the lives of Lincoln, Beth, and Jennifer, and every new revelation meant that I was constantly rooting for all three of them to find happiness. Romance isn't usually the focus for most books that I choose to read, but Rowell avoids using cliches or, if she does, she twists them to make them new. Reading Attachments was very refreshing – I've read some terrible books lately, and some books that I liked enough but that didn't live up to expectations, so the sheer enjoyment and the need to keep reading with this one was more than welcome. The structure, the characters, and the clever way that Rowell details and styles her writing add up to a novel that is just brilliant fun to read.

So, thanks to technology, I once upon a time stumbled across a review of Attachments, and was reminded of it again by all the Rainbow Rowell pictures scattered across Instagram. I'm very glad, and I've since added more books to my TBR that I have found in this way. Fingers crossed they'll be just as good! This was my first time reading anything by Rainbow Rowell, and I certainly understand what all the hype is about. It's exciting to know that there's more titles of hers for me to read, and I hope they are as perfectly enjoyable as Attachments.

Orion Books, 2012;
Paperback;
357 pages.

Saturday, May 16, 2015

For Review: Falling Into Place ~ Amy Zhang

Falling Into Place starts with Liz Emerson dying at the bottom of a cliff after she has crashed her car in a suicide attempt. That was enough of a premise to make me want to read this book, and the really pretty glossy cover was an added bonus. The story, though, isn't just about Liz, but concerns the people who care about her the most, and the way that she has affected them throughout their lives.

The narrator looks at Liz's best friends Julia and Kennie, and considers what their lives were like before meeting Liz, while they were friends, and now that she is dying. Liz is quite a force to be reckoned with. She is popular, with girls as well as with boys, and she uses this for her own advantage. Liz gets what she wants, and dictates the lives of her friends – from what parties they will go to, to much more serious decisions. Ultimately, though, Liz is a young woman who hates how lonely she is, with her father dead and her mother often absent. Best friend Julia is beautiful, talented and clever, but becomes involved with drugs to deal with her problems. Kennie is a dancer who seems to take life as it comes, laughs any problems away, until Liz makes a decision for her that changes her completely. Liz, looking at her own life, and the way she has changed those around her, decides she wants to die.

Of all the stories of the people in Liz's life, the most heart-breaking for me was that of Liam. Liam is in love with Liz, and is the one who discovers her car and calls for an ambulance. He is certain that Liz never even notices that he's around, though she does know he exists. Later on in the novel, we discover that Liz actually thinks about Liam more than he realises. He might not be rich or popular, but he clearly has a very good heart, and that unnerves Liz slightly, because it's not something that she can readily understand. But then the narrator looks back at the way that Liz has treated Liam in the past, and it is so utterly horrible and cruel that it really broke my heart for him. There are several points in the novel where Liz shows how capable she is of hurting others, adding an extra layer to understanding who she is, and why she chose to end her life.

All this is told from a clear narrator persona, but one which is unknown to the reader. There are 'snapshots' peppered throughout the novel showing times when the narrator has been with Liz, and several places where the narrator is nearby and watching what is going on around her. The reader has to try and figure out for themselves who this is, and though I did have a few ideas, most of them didn't fit at various parts of the plot. The narrator's identity is revealed towards the very end of the novel, and it was one of my ideas, but having it confirmed was actually strangely beautiful – maybe in part because it was who I most wanted it to be.

What I admired that Zhang has done, and which is different from many young adult novels that I've read, is the brutal honesty about being a teenager. While there's all the fun positives to being a young person, the main characters in this novel have a pretty shitty deal in life. But it's not presented (as it is so often done in the young adult novels I've read) as something kitsch, or cute, or quirky. Addictions, disorders, and mental illness are not just kooky added on extras. In Falling Into Place, there's a real sense of the everyday battles that these young people face, to the point where the world becomes an unbearable place to live in. That's the reality for so many teenagers, and Zhang makes that ring very true.

Ultimately, Falling Into Place is a novel that gets to grips with what it can really be like to grow up and to be unhappy. The characters are explored through some truly gorgeous prose, and the plot increasingly reveals more devastating truths as it continues. The novel is not without redemption, however, which I was grateful for, as I worried that there might not be any. Falling Into Place is a beautiful debut, and I hope to read more from Zhang soon.

Greenwillow Books, 2014;
Hardback;
296 pages.

Friday, May 08, 2015

For Review: Mercy Seat ~ Wayne Price

The world of Tess Durbeyfield is far removed from the more contemporary coastal Wales in Mercy Seat, but for some reason, the following quote came to mind when I was considering my feelings towards this novel:

“Did you say the stars were worlds, Tess?"
"Yes."
"All like ours?"
"I don't know, but I think so. They sometimes seem to be like the apples on our stubbard-tree. Most of them splendid and sound - a few blighted."
"Which do we live on - a splendid one or a blighted one?"
"A blighted one.”

It's the tone of disappointment I think that I connected with this – the idea that the world isn't perfect, and our lives are never going to turn out the way we expect them to. Such is the life of Luke in Mercy Seat.

In order to escape his lonely teenage years, Luke finds himself married and with a son, working a job in a warehouse to provide for them. The monotonous comfort is broken, however, when Jenny's estranged sister Christine arrives to stay. A tension builds and shifts between the characters. Jenny forces herself to get along with Christine and to forgive past choices, and yet she becomes increasingly concerned about leaving her baby Michael alone with her sibling. Luke observes this dysfunctional relationship while finding himself strangely attracted to Christine. There is nothing overly dramatic or obvious about this, just an odd, creeping attraction, but with a wariness too. Christine's strangeness is a feeling that the reader certainly shares, a little disturbed by her quiet nature.

Mercy Seat is a novel focused on the characters and the tensions between them, and that's something that Price does very well. There's a real sense of awkward and disquiet that permeates throughout. None of the characters respond or react in ways that are easily predictable, meaning that the reader is always watching for turns in the dialogue or the action that might lead to further conflict. From the outset, the reader knows that the results of Christine's visit aren't positive, so we wait to see who will crack next, who will make the next mistake.

Because the real beauty of Mercy Seat is exactly that – the conjuring of an authentic ache of disappointment and regret. Luke's narration is thoughtful but straightforward, making Mercy Seat thoroughly engaging, and bleak without being melodramatic. 

Freight Books, 2015;
Paperback;
199 pages.

Sunday, April 26, 2015

For Review: The Way Out ~ Vicki Jarrett

The dedication for this collection of short stories is 'to all those who dream of escape', and that's what the aptly named The Way Out is all about. The characters in these stories are trying to escape something - relationships, their own guilt, the person they've become, the world altogether. But while that might sound desperately doom and gloom, The Way Out is far from difficult to read. True, there are parts of stories that are dark, or uncomfortable, but Jarrett takes the reader along with an amusing lilt, while often also just being plain funny.

My favourite stories include White Pudding Supper, a story set, funnily enough, in a chip shop. The scenario isn't something so out of the ordinary - the girl working there is expecting the usual weekly trip of customers from the local hospital, customers that she calls 'mental cases'. What is so interesting is her discussion and her treatment of these people. However, this is the kind of story with a gasp ending. As in, 'Oh you snide little -' 

In Loving the Alien, the narrator is having a difficult time dealing with her boyfriend's fetish for sci-fi related roleplay. It's becoming too much of an obsession for her, and though a very short story, she describes how this has evolved. And then there's the ending, which made me laugh out loud and instantly need to tell my partner the story, as he was sat on the sofa opposite and was wondering what was so funny. Jarrett knows how to pull out a twist that the reader isn't expecting.

There are several stories in this collection that really stick, as the writing often presents a particular idea or image that makes a firm impression, such as the end of Bingo Wings, which left me quite distraught after reading. My favourite story, though, for this reason, is What Remains. It's that combination of what I love about Jarrett's stories - everyday life made totally bizarre. Marvin lives at home alone, trying his best to be independent and ignoring offers of having a home help. Following a gas explosion on his street, he ventures out to see what's going on, and discovers a severed hand. Poor Marvin has to figure out what he should do, and the result is hilarious. The image of the ending to that story, and the possibility of what will happen next, is just brilliant.

What is so enjoyable and clever about The Way Out is that the stories feel instantly familiar with the characters or the places being so identifiable. But the stories Jarrett tells are always on the edge of something very strange, or just utterly bizarre, and it's exciting to start reading a story and to know that you have no idea where it might go. Tender and heartfelt, but also funny and strange, Jarrett has created a thoroughly enjoyable collection of short stories.

Freight Books, 2015;
Paperback;
159 pages.

Monday, April 13, 2015

The Last Treasure Hunt - Clue 13!

Who doesn't love a good treasure hunt? In celebration of the launch of Jane Alexander's The Last Treasure Hunt, I'm excited to be part of this online adventure! The novel is described as a 'modern media morality tale with bite', exploring obsession with celebrity and the quest for fame. Now it's your turn to get a little fame of your own with the treasure hunt!

Here is clue number 13:

A 16th century royal rift


This man has accusations to bring


So he’s declared a fiend and a traitor


In this palace fit for a king.


#treasurehunt





How the hunt works:

  • Each clue refers to a landmark or iconic location in a film. The landmark/location is the answer – when you figure it out, make a note of it!
  • (If you need a hand, check out the #treasurehunt hashtag on Twitter or Instagram for a hint to the landmark’s location…)
  • Clues will be revealed by some fantastic book bloggers from March 26th until April 21st. Keep checking back on Jane Alexander’s dedicated treasure hunt page (janealexander.net/join-the-hunt) or on the #treasurehunt hashtag for links and new clues.
  • When all the clues are revealed, the first letter of every answer will make an anagram. Solve the anagram and you have your final answer!
  • Email this answer and all the landmarks you figured out to hermes@saraband.net by April 30th to be entered into the prize draw. Two entrants will win a signed copy of The Last Treasure Hunt – and if you’ve guessed the most landmarks and locations, you’ll win a goodie bag and something special from Jane personally! On top of that you’ll get bragging rights on Twitter and we’ll publicly dub you queen/king sleuth.

Good luck on your hunting quest!

Wednesday, April 01, 2015

For Review: Dogwood ~ Lindsay Parnell


On probation from prison, 19 year old Harper returns to her troubled home town in America's deep South. The novel examines her childhood and her dysfunctional relationships with her friends and with her family. She forms an uncomfortably close and neurotic friendship with Collier (a young woman who revels in her self-destructive tendencies) and Caro (who is equally lost, but who dreams of something better), while also dealing with a neglectful mother she admires enough to refer to as She or Her. Dogwood focuses on Harper, her negative behaviours, and the way her life is affected by various 'poisonous' relationships.

Though a short novel, Dogwood isn't for the squeamish or the faint of heart. Parnell explores situations that are uncomfortable on all kinds of levels - violence, abuse, neglect, sexual and physical assault. It's all rather tough going because, despite the love and care that shown (and often very fiercely) by her friends and her mother, Harper is part of a community of women who struggle everyday in their relationships, and with their own identity as mothers, sisters, and lovers. The narration itself is colourfully brutal, and many of the scenes are horrifying with that 'so terrible I can't look away' type effect. Sadness and deprivation of many kinds are delivered throughout the story of Harper's childhood and teenaged years.

Some of the novel is told from Harper's retrospective point of view, while other chapters are told in the third person present tense. This can move from early childhood, to the apparent present, then back to first person, then to another point in time. In some places, this works really well, showing how one event in Harper's life has linked to another, but it jumped about so often that it was sometimes quite confusing trying to figure out what quite fits where. While largely clear, and very enjoyable to read, the prose is also sometimes muddled and confused, particularly with the number of 'she's present in a scene, as well as the points where Harper is drunk/on drugs/losing consciousness. There were points in the novel where I did have to reread paragraphs or sections to figure out what was actually going on.

Largely, though, Dogwood is a novel where the reader is compelled to read along if only to discover the fate of the central female characters, whose lives seem so far from any signs of hope or happiness. Ultimately, Dogwood is a sad portrait of the lives of women struggling to break free from cycles of depression, addiction, and abuse. In such a short number of pages, Parnell has created a story that is truly harrowing.


Linen Press, 2015;
Paperback;
206 pages.

Saturday, March 14, 2015

For Review: Only Every Yours ~ Louise O'Neill

As a bibliophile, I get a lot of enjoyment out of looking at hundreds of pretty pictures of books. That's why Instagram is so much fun. There's a huge community of people posting pictures of what they're reading, their favourite books, new books they've acquired, and I'm one of them. Anyway, the point of this, is that Instagram is a very quick way to get word around about certain books. I've bought several because I've seen them on Instagram – and bonus if they look pretty too! - and that's how I came about wanting to read Only Ever Yours. Given the content of the novel and the way the characters use and misuse social media, this is maybe a little bit ironic (not that the women are allowed access to books...)

In the future world of Only Ever Yours, women are created and designed to be beautiful. They exist for the purpose of men and their fates are decided when they turn sixteen years old. The girls can become companions, a wife for the purpose of giving birth to healthy sons; concubines, to be used any way that the men see fit; or chastities, the very few women who are not considered attractive enough to become either, and who must stay in the school to look after the rest of the girls. Frieda is preparing for her selection, hoping that a man will take her as a companion. The girls are rated and ranked according to their desirability, and she is almost top of her class of thirty. Her best friend isbael is number one, but when she begins a self-destructive path of weight gain, she is shunned by the others and frieda finds herself falling in with a group of vindictive bitches (for want of a better word). This novel has been tagged as The Handmaid's Tale meets Mean Girls, and I can understand why. As if living in such an oppressive world wasn't bad enough, the young women are constantly competing to be the best, and this becomes especially tense with the arrival of the men. Teenage girls can be particularly fickle and unkind to one another, and there are some intensely nasty moments in this novel.

Only Ever Yours, as is no doubt apparent by now, is not a cutesy book about high school teens. The novel is far more layered, much more clever, and far more darker than that. What really shook me about this book is the way that frieda's narration explored the way that women feel about themselves, in relation to each other and, more importantly, in relation to men. Their entire lives are dictated by how well their peers perceive them, and by how attractive they are to the boys who come to choose them. Throughout the novel, frieda constantly criticises herself, always comparing her body shape, her skin tone, her fashion choices with others. Partly, that is the world that they live in – they even have classes where classmates are asked to provide 'feedback' on their appearance, and to compare them against a peer. But this isn't a concept that is unique to the story – women now, in this world, live day to day doing this, albeit in a much more private and silent way. I can only speak for myself, but O'Neill gives frieda a narration that is scarily easy to identify with.

And we haven't even got to the men. On the first page, as soon as I saw that frieda is introduced without a capital letter for her name, I thought, 'Ouch, so this is the kind of world this is.' That, and while they are at the school, they are known largely by a number. Women's worth is entirely down to the decision of the men and who they want for what purpose. Some of the girls recognise their place as concubines, dressing as provocatively as possible for men's visits, hoping for validation during their 'Heavenly Seventy' private time. But there are others that know they will never fit in with what the men want, with even some of them being disregarded for the colour of their skin, or the shape of their eyes. It's when the men become involved that frieda begins to really fall apart. Her anxiety becomes extreme, bringing with it depression, paranoia, and a fixation on the daily medication that the girls are given to maintain a 'perfect' weight. O'Neill really picks frieda apart, little bit by little bit, until her descent from promising hopeful becomes destroyed so completely. Being in frieda's head, especially during the latter part of the novel, is a horrifying and devastating place to be.

Only Ever Yours is a stunningly dark novel. As great dystopias do, O'Neill has put together a terrifying alternative future and used it to look deeply into the way that women are placed in society, and the way that they perceive themselves, and are perceived by others. The novel doesn't hit the reader over the head with any of its ideas, and it never screams out all 'ooh I'm being feminist' – if someone wants to read it as just a really good story with intense characters and nail biting plot turns (literally, I bit my nails and my skin around my nails towards the end) then it can be just that. But Only Ever Yours is such much more – a dark and thought-provoking look at women, their relationships with each other, and with men and, crucially, their relationships with their own appearance, mental health, and power. 

Quercus, 2014;
Paperback;
390 pages.