
Scott Weiland - for me, the name brings to mind a fantastic voice, and an impressive front man. Understandably, for others, the name is associated with bad judgements and heroin. I've even interviewed a band who bewailed a missed opportunity to meet with him due to his addictions. To be honest, I think that for Weiland to be associated more with the latter is a pity, and more so after reading his memoir.
The concept of the talented musician who wrecks their life into destruction is not an unfamiliar one, and there's not any point in listing names here. So from the off-set, the reader knows what they're getting themself into with
Not Dead and Not For Sale. Weiland recounts his life from early childhood up to the point of publication. I was unsurprised to read of a troubled childhood and difficult teenage years. But, interestingly, Weiland never says - this is why I took drugs. Of course, he does accept that he felt a need to escape his thoughts and feelings, but from the first to the last, Weiland only blames himself for his addiction. It's an admirable admission, and perhaps something that grew from rehab and therapy.
Not Dead and Not For Sale was an interesting read, and htrough I don't usually read the memoirs of musicians or actors that I admire, I was intrigued to learn how music shaped Weiland's life, and to know more of the relationship between addiction and fame. Weiland's an intelligent man, and it comes through in his memoir. More so the pity following his journeys in and out of addiction, and in and out of a successful career. Like many of his friends and family, I 'm sure, I just wanted to shake him and make him realise just what he was doing to himself - breaking relationships, his career, and himself, with addiction.
Sympathy loomed large with me in reading this memoir, but I'm a reader coming to this as a fan of Weiland's work: I've been to some incredible Velvet Revolver gigs. Still, to use a word that Weiland highlights himself, I admire his tenacity.
Memoir aside, the book itself was gorgeous. I'm not a great lover of the hardback, but the pages in these were textured differently, and the text was sandwiched with photographs and lyrics. It was enjoyable just to have the thing in my hands - and they say that print is dead.
Not Dead and Not For Sale, and I recommend the soundtrack too - putting on the STP and Velvet Revolver tracks as we speak.
Canongate Books; July 2011
Hardback238 pages